Showing posts with label 1960s. Show all posts
Showing posts with label 1960s. Show all posts

Wednesday, February 20, 2019

Another hall of learning


Home of William and Blanche Hinman Garland, ca. 1901.
A COLLEAGUE RESEARCHING the original St. James Park in the West Adams historic district came across a mention of Garland Hall, a graceful mansion that originally occupied the lot on the northwest corner of West Adams Boulevard and South St. James Place. Garland Hall, we were surprised to learn, was briefly part of the original Downtown Campus of Mount St. Mary's.

The house at 815 W. Adams Blvd. was built by real estate developer William "Billy" Garland around 1901 and occupied by Garland (who died in 1948) and his widow until her death in 1958.

It was never part of the Doheny compound next door on Chester Place, and its Mount connection lasted only a few years. When Blanche Garland died in 1958 she deeded the property to the Episcopal Diocese of Los Angeles, which in turn sold it to the Catholic Archdiocese. Thus it was literally in the neighborhood and available when the Mount opened Downtown in the fall of 1962.

The garage of the building
was used as a sculpture studio.
An old Admissions brochure from 1963-1964 lists Garland Hall with the other buildings and their original names:

–Fontbonne Hall (known now as Building 10) - administrative offices, chapel, bookstore and classrooms
–Médaille Hall (Building 2) - library and study rooms
–Faculty-Student Center (Building 1) - informal lounges, meeting rooms, student body offices and counseling services
–Carondelet Center (Building 8-1/2) - Home Economics center
–Garland Hall (815 W. Adams Blvd.) - fine arts gallery and studios

The Catholic Archdiocese sold the building and it was demolished in 1972, to be replaced with nondescript apartments, something that was happening to stately homes all over the area.  But for a almost a decade it was home to art exhibits, music performances and aspiring young artists.

Discovering the existence of Garland Hall might also solve a little mystery that has intrigued us for years. During a cleaning up operation a few years ago, a number of paintings turned up in storage in the Doheny Mansion. Some were by prominent Los Angeles artists, including Mount benefactor José Drudis-Biada, complete with exhibit information and price tags. But they had been jammed rather haphazardly into two closets in the basement and left there for the next 45 years. Perhaps they once graced the gallery in Garland Hall.

A writeup for an exhibit in The View, October 15, 1964.

Wednesday, December 23, 2015

An {Unstoppable} CSJ Christmas


Religious faculty celebrates Christmas in Brady Hall, 1961.
At right learning on an elbow is Sr. Aline Marie Gerber.
EVERY PICTURE TELLS A STORY. One tiny image in our "Sisters in Traditional Habits" file shows the Mount's Sisters enjoying each other's company in Brady Hall.

At first glance, it's a not-very-interesting Christmas snapshot. But if you know some Mount history, there's a story behind the setting: the old Lecture Hall, now Brady Lounge.

According to the back of the photo the year is 1961. Scores of holiday greeting cards are pinned to the stage curtain in the shape of a row of Christmas trees. A real tree, off to the right, is festooned with tinsel and more cards. What appears to be a pile of newly unwrapped presents -- mostly books -- is beneath the tree.

Christmas, 1961: Just six weeks before this photo was taken, the notorious Bel Air Fire swept through Brentwood Heights, damaging or destroying about a fifth of the Chalon Campus and doing serious damage at Carondelet Center. Burned to the ground, with everything in it, was the Faculty Residence (Rossiter Hall). Mercifully, no one was hurt, but many of the Sisters lost all they had.

But soon it would be time for the holidays! Although the campus was still grimy with smoke and the air reeked of burned wood, we can be sure Christmas would proceed as planned in a new location.

Other details are only hinted at in this 54-year-old picture. Were there more cards than usual that Christmas? Were the donations tucked inside extra-generous after the fire? Did that load of new books under the tree replace some of the faculty's lost teaching materials? We can be fairly sure the answer to all of those questions is yes.

After the party, the Sisters would scatter to their temporary homes -- other CSJ convents, hospitals, or the Mount's dorms where they would spend the next year. There was a new semester to prepare for, and reconstruction on damaged buildings was already under way. Funds had to be raised for new buildings. The Mount and the CSJs' community life had to keep moving forward, fire or no fire. 

But Christmas in 1961, as it is in 2015, was a special time at the Mount. For an afternoon, at least, our {Unstoppable} Sisters could relax and enjoy some Christmas cheer in familiar, if makeshift, surroundings.

Thursday, December 4, 2014

Extra, extra! Read all about it

Younger siblings of Mount students help out with the SWES toy drive in 1954.
WE HAD OCCASION TO BROWSE the digitized editions of the long-running The View campus paper earlier this week and wondered what Mount journalists were writing about in back in the day. Pretty typical stuff, it turns out. In some ways, student life doesn't change a lot decade to decade.

Fifty and 60 years ago there were Christmas parties and fundraisers, event planning for the New Year and looking forward to Winter Break (or Christmas Vacation, as it was called). Here are some choice tidbits from yesteryear:

Sixty years ago - December 1954
  • Costume dance party is planned for Jan. 5 by the Gamma Sigma Pi sorority. The locale is "Hernando's Hideaway" at Sepulveda and Slauson boulevards in Westchester, and the theme is "Hard Times." Dance music by the Johnny Delfino Band.
  • The Student Councils of Mount St. Mary's, Immaculate Heart College and Marymount share a holiday dessert party on the Marymount Campus in Palos Verdes. 
  • The SWES (Social Work, Economics and Sociology) Club holds a toy drive for underprivileged children. The main event is the special delivery of toys by little brothers and sisters of the club members
  • The Parnassians literary club and Sodality of Mary Literature Committee hold an annual Christmas book sale. Bestselling titles are Little World of Don Camillo, The Second Conquest, Deliverance of Sister Cecilia, and Holding the Stirrup.
  • A front-page editorial urges student to be more respectful of each other in the New Year.
  • Two full pages are dedicated to student poetry about Christmas. Another page is given over to coverage of club Christmas parties. 
  • "Personalities of the Month" are the three Bondan sisters, senior Anne, junior  Kathy and frosh Jo.
  • Christmas Vacation begins on Friday, Dec. 17, 1954, at exactly 4;25 p.m. Classes resume on the dot at 8:30 a.m., Monday, Jan 3, 1955.
Fifty years ago - December 1964
  • An article discusses the slow start of the new national program VISTA (Volunteers In Service to America), the domestic version of the Peace Corps.
  • To help alleviate a citywide shortage, four Mount students sign on as substitute teachers in L.A. public schools, part of a pilot program to put student teachers in real classrooms. The article notes that they earn the same pay rates as credentialed substitutes.
  • Sister Dolores Cecile Schembri, CSJ, of the Music faculty will give a piano concert.
  • Volunteers are need for a trip to bring medical and other supplies to poor parish in Tijuana
  • An article provides in-depth details on Christmas planning in Doheny Hall (the Mansion, then a CSJ convent). The results of the annual CSJ "cookie-baking spree" will be shared with the neighborhood. Sister Mary Irene Flanagan of the Home Economics Department plans an all-white flocked Christmas tree with gold ornaments, while banisters of the Grand Staircase will be festooned with silver garlands and red ornaments. Midnight Mass will be held in the third-floor chapel. 
  • Popular book author and illustrator Leo Politi is the guest of honor at a Las Posadas celebration sponsored by the student members of the California Teachers Assn
  • Nationally renowned artist Sister Mary Corita Kent, IHM, is to give a presentation on her famous serigraphs.
  • No. 17 will finally available for classroom space in the spring semester following the death the previous June of Dr. Rufus von Klein Smid, former USC chancellor and a Chester Place resident for 30 years,
Old newspapers are fun to look at, and the Mount Archives has lots of them! Fortunately, they're all available online. Just head over to http://bit.ly/16SHydt. Happy browsing!

Thursday, October 23, 2014

Cue the swarming insects

Actor Theodore Bikel plays a devious dictator in the 1968 "Mission:
Impossible" episode "The Cardinal." He's standing on the proscenium
in front of "Zolnar Monastery," 
aka Mary Chapel. 
FANS OF 'MISSION IMPOSSIBLE' notice the Mount in reruns all the time. One of our personal favorites is "The Cardinal," which first aired November 18, 1968, and was filmed at the College. Along with the Circle, Mary Chapel and other Chalon backdrops are some other campus props -- straight from the Biology Lab.

As we've noted before, Sister Gerald Leahy, CSJ, of the Biology faculty was an internationally renowned entomologist whose work with malaria-spreading mosquitoes took her all over the world. Since much of her research was performed at Mount St. Mary's, there were plenty of aedes aegypti caged in the science building.

The plot of "The Cardinal" involves infecting a bad guy with a high fever while smuggling a  cardinal out of the monastery where he is being held prisoner. To infect the bad guy, who is preparing to pose as the cardinal, the IM Force sends disease-carrying mosquitoes through a thin tube into his room.

According to Patrick J. White's The Complete Mission: Impossible Dossier prop manager Bill Bates had everything he needed to create "Zolnar Monastery" but couldn't come up with the insects. One of Sister Gerald's CSJ colleagues came to the rescue, as White tells it:
 "One of the nuns told me, 'Oh, the Biology Department has lots of mosquitoes; they're doing some experiments.' She gave me a jarful," [said Bates]. On the set and about to shoot the scene requiring the mosquitoes, Bates got a frantic call from the college, urging him not to use the mosquitoes. "They'd given us the wrong bunch," Bates says, "and we had a jarful of malarial mosquitoes! She caught us just before we released them."
 That would have infected the bad guy, all right, and heaven knows who else.

We'd like to give a hat-tip to Gaile Krause of Campus Ministry and her husband, Chris, for tracking down the background on "The Cardinal" episode.  Oh, and if you'd like to read one of Sister Gerald's many published articles on mosquito breeding, click here for a copy of "Barriers to Hybridization between aedes aegypti and aedes albopictus (diptera: culicidae)" published in 1965.

For Sister Gerald's mosquitoes, that was more than 15 minutes of fame as a film extra.

Sister Gerald Leahy, CSJ, and her pet malarial mosquitoes in 1981.
(Mount St. Mary's College Archives.)


Postscript: We wonder if Bates recycled the nun's habit from "The Fugitive" episode filmed at Doheny: see the pictures on Facebook.

Monday, August 20, 2012

A prayer for students

Downtown students pray in what is now the Gillin Conference Room. 
The 'stained glass' is painted onto the black and white print.
GAILE KRAUSE OF OUR WONDERFUL Campus Ministry team sent out a thoughtful meditation for  the start of the 2012-2013 academic year:
O God, in your wisdom and love,you surround us with the mysteries of the universe. Look upon us all -- always students, always teachers -- and help us enjoy our learning and take delight in new discoveries. Help us to persevere in our studies and desire to learn all things well. May you walk with us this year, and enlighten our hearts and our minds. Amen.
Prayer is what made Mount St. Mary's College: the CSJs' prayers for funding and resources to open a new college on a bare, chaparral-covered hilltop; prayers for safety and deliverance from the Bel Air Fire in 1961; prayers of thanksgiving for benefactors, prayers for students and their families and loved ones. 

We thought an appropriate picture for today's blog would be another marking the Doheny Campus' 50th Anniversary. Three young ladies -- in the required chapel veils of the day -- kneel on prie dieux in what appears to be a chapel with stained glass. The photo was taken in the early 1960s.

A not-very-close look reveals that the "stained glass" was painted in by a newspaper artist, who also altered the rounded shape of the upper part of the window to make it look "Gothic." The photo was evidently published, but it's not known in which newspaper. (Mount events were frequently publicized in the Los Angeles Times, Herald-Examiner and The Tidings.)

The untouched window identifies the room as what is now known as the Gillin Conference Room in No. 10 Chester Place. In the first years of the Downtown Campus, a chapel where students and faculty could attend Mass or stop by to pray was every bit as important as classrooms or a dining hall (as was, indeed, the case in the early days at Chalon). The makeshift chapel sufficed for more than 20 years, until Mercy Chapel was dedicated in 1984.

While chapel veils have gone the way of daily Mass on campus, prayer still makes the Mount go. Our two chapels, Mary and Mercy, often have a student occupant or two in quiet reflection between classes -- more during finals week.

Visitors often remark that the Mount campuses have a special "feeling." It's our opinion that they're picking up on the prayer vibe.
O God, may you walk with us this year, and enlighten our hearts and our minds. Amen.

Friday, August 3, 2012

Grips and grins

Sister M. Rebecca Doan, CSJ, president,
with alumna Dorothy Lieb Von der Ahe '29.

IN PHOTOJOURNALISM, THERE IS A CATEGORY of photograph called the "Grip and Grin," in which two people with broad smiles are shaking hands or passing something between them -- like a large check.
Sr. Rebecca with Alumnae
Association president.

Looking for photographs for Doheny's 50th anniversary, we noticed that Sister Rebecca Doan's picture file holds a lot of grip 'n' grins.

And no wonder. Sister, who was named Mount president in the spring of 1961, took office for academic 1961-62 -- just in time for the terrible Bel Air Fire of November 6, 1961, and the launch of a new Associate of Arts program at the newly acquired Downtown Campus planned for academic 1962-63. In other words, she was president during a very costly time in Mount history.

Faced with rebuilding much of burned-out Chalon and preparing to take students into a handful of frankly decrepit Victorian mansions on Chester Place, Sister undertook an unprecedented fundraising campaign, launched in the spring of 1962. 
Sr. Rebecca with A.C.
Pearce of Sears Roebuck.

It was known as the SPACE Program, echoing the excitement of the new Space Age and Mercury astronauts, but standing for Scholastic and Physical Advancement Centered on Excellence. With a goal of an astonishing $10 million ($75 million today, adjusted for inflation), SPACE designated $5 million for scholarships and other academic priorities, and an equal amount for construction on both campuses.

Fifty years ago this summer, the money was starting to come in. The kickoff donation was $25,000 from the Vons Foundation, led by Mount alumna Dorothy Lieb Von der Ahe '29. The $25,000 check is the equivalent of almost $190,000 today.

Companies, individuals and campus organizations contributed, including the Alumnae Association, Mothers' Guild, Gulf Oil, Crown Zellerbach, and Sears Roebuck. At the end of the summer of 1962, Sister Rebecca had collected nearly half a million dollars with a long fundraising road ahead.

The archives don't have records of the final accounting of the SPACE Program, but some of the immediate results can be seen today: the Humanities Building at Chalon and the Classroom building at Doheny, both constructed in 1964 and 1965. By then, Sister Rebecca and the College had a lot to grin about.

Sr. Rebecca with unidentified donors. The architectural model in front of them  shows
the proposed Humanities Building and the existing Chalon Library.



Monday, April 30, 2012

Retrospective on the riots

Headline from the L.A. Times, Aug. 5, 1965
THE NEWS MEDIA IN LOS ANGELES have been full of retrospectives on the 20th anniversary of the so-called Rodney King riots of April, 1992. That got us thinking about the Mount's great commitment over the years to improving the lives of the poor in our city, especially in the field of education. It is a long and distinguished history -- too long for a blog, so we'll mention just one special program.

The Center for Urban Education was an initiative of the Mount's Education Department in the fall of 1965 at the 3-year-old Doheny Campus. It was the first of its kind in the nation, offering (in the language of the mid-1960s) a "three-pronged program for the preparation of teachers to enter urban problem schools." One track put students in internships at downtown-area elementary schools. The second enabled Mount students to obtain a credential or a master's degree in the urban teaching specialty. The third was a preschool division that trained teachers for work in the newly created Head Start program.

Herald-Examiner headline,Aug. 4, 1965
The program's co-directors were Dr. Roman Young, long-time chair of MSMC's Education Department, and Dr. Ronald J. Koegler of UCLA, a research psychiatrist. Enrollment the first semester was 70 students.

But by the time classes started on September 15, 1965, there was greater urgency than ever. The Mount's timing, it turned out, was prophetic: The announcement of the new CUE was made on Wednesday, August 4, 1965. The Watts Riots began exactly one week later, on Wednesday, August 11.





Thursday, November 10, 2011

Is that Mary Chapel?

LOOKING FOR BEL AIR FIRE IMAGES to add to our online photo archive, I came across a photocopy of a remarkable newspaper article describing a painting. In the fuzzy photo is Mary Chapel in flames.

The clipping, headlined "Bel Air Flames Again in Massive 'Firescape,'" with the "kicker" headline, "Chief Relives Battle." It describes a massive, 16-foot painting providing an eyewitness remembrance of the firefight at the Mount.

The photocopy and this scan are poor quality, but there's no mistaking the contours of the chapel and the steps leading to the arched door. A silhouetted figure aims a thin stream of water into the raging flames. In the foreground a firefighter renders aid to one of his teammates stretched out on the pavement.

I've read numerous accounts of the disaster, but never one that mentions Mary Chapel fully engulfed. Apparently the fire did start burning through the big wooden front doors and may have melted some of the leading in the stained glass before it was stopped. But unlike Rossiter Hall and the fine arts building, the chapel was saved.

The archives photocopy identifies neither the newspaper nor the date, unfortunately. Publication was definitely some years after the 1961 fire, because it mentions that the painter, Charles W. Bahme, took two years to finish the work, and that he had retired in 1967. Perhaps it was 1971, on the 10th anniversary .

Bahme wasn't just any eyewitness. He was deputy chief of the LAFD and the field commander for the fire. He was at the Mount on November 6, 1961, as cinders ignited buildings on all sides of the College, as the wind was gusting close to 100 miles an hour, and as the water supply started to fail.

The huge painting is a composite of his recollections of the entire disaster, which blazed through Bel Air and Brentwood for three days and at one point had a 154-mile fireline. "I tried to condense into this [work] the whole scope of the fire," Bahme said, adding that doing it was a way to "get it out of my system." The battle to save the Mount is clearly front and center in his memories.

Maddeningly, the clipping is cut off in the middle of his description of saving a college building that had caught fire. Ack! Which one? And then what happened?

Another day, another set of archival mysteries. The article is an great find, but not as great as the questions it raises: Where's the rest of it? Where was it published? Most of all, what became of that 16-foot painting? Will we ever find out?